Workshop Description
The project begins with a
45 minute teaching presentation, followed by hands on workshop groups
of 40 minutes each, back to back 50-250 students each, depending on
available adult or older peer support.
The 45 minute presentation is made to full school, camp, or full
or selected grades, in auditorium or other large area. A microphone
and VCR are needed, as well as seating for all. Teaching presentation
focuses on the use of art in the service of teaching ethics. The power
of symbolism in art is explored, lending significance to the
mundane; how (discarded) soda can tabs can represent lost lives
destroyed by hate and intolerance. Students are asked to respond to
the significance of broken, bent, or damaged tabs, tabs of differing
shapes and colors, or tabs linked together, by interpreting
their symbolic meaning. Ideas of humans as symbol makers,
ie. alphabets, language, and arts as civilizing forces, are
explored. Brief histories of righteous persons who risked their lives
to save others in WWII are profiled, (such as Raoul Wallenberg)
touching on how powerful visual symbols can represent these
histories. Other layers of significance to the project are
presented, transforming waste to have meaning, recycling, symbolism of
wings, etc.
An ABC/CBS/NBC News video presentation is included that shows students
across the country working on the memorial, with Holocaust survivors.
Students learn of the collection of the 11 million soda can tabs from
all 50 states and eight countries accomplished by a middle school in
Illinois, and how that collection has turned into this memorial
in progress being constructed by 50 thousand youth nationally. The
video includes visuals of the massive butterfly memorial in progress
at various museum, and other site installations.
In workshops directly following the presentation, I
demonstrate how feathers are made for the massive pair of WINGS: the
technique for stringing tabs onto wires; inserting rods to create the
feathers stems. Participating students are asked to sign in, as
artists sign their work. Materials are passed out by adult
helpers or and or teachers/counselors (ratio: 8 per 50 participants).
Each pair of students receive an 8 ounce baggie of tabs and a 45 inch
aluminum wire. Students work in pairs. While students string
tabs, the designated helpers receive close up training for
the method of weaving rods through finished columns of tabs.
When students complete the stringing process, the trained helpers fan
out with rods to demonstrate the rod insertion process with the
participants, starting each pair of students on the second stage of
the feather building task, so they can complete the
"feathers" on their own. Completed feathers are inspected by
the assistants and myself, students are asked to make adjustments as
needed. Students who finish their feathers early collect empty
baggies, and weigh and refill with loose tabs for future workshops
with other students. Feathers counted are packed into cartons by
students. Closing remarks are made, students are asked for their
responses to the workshop.
Students who may be interested are asked to create their own
works of art in response to the project, either individually or
in teams (visual art, poems, short stories, performance work).
Student work in response to the project may be included in the
changing web-site or in upcoming WINGS exhibits.