Pull tabs from soda cans
were elevated to a humanistic, historical, and educational importance
through student efforts. Under the guidance of history teachers Kevin
Daugherty and Jane Fisk, eleven million tabs were collected in 1996-97
by public school children from the Mahomet-Seymour Jr. High, Mahomet
Illinois to represent the numbers of persons murdered by Nazi Germany
during the Holocaust. Six million tabs were collected to represent the
numbers of deceased Jews. Additionally 5 million tabs were collected
to numerically represent the other murdered minorities, including
political dissenters, gypsies, pacifists, disabled persons,
homosexuals, as well as others who tried to help the persecuted.
A few months after the
collection began, Eva Mozes Kor, survivor of Dr. Joseph Mengele's
experiments on twins, visited the students and contributed 119 tabs,
each representing a member of her family who was destroyed. Kor
dropped the tabs, one at a time, into the 890,000 that the students
had already collected. With added conviction the class intensified
their efforts, posting their collection on the internet in response to
their awareness of Holocaust denier web-sites. Syndicated press
coverage fueled national awareness of the tab collection. Millions of
tabs began arriving. The students met their goal eventually receiving
11 million tabs from all 50 states and eight countries. At a Yom
HaShoah (Holocaust Remembrance Day) commemoration, students poured out
6 million tabs in the gymnasium, surrounding the mound with the added
5 million in shopping bags. National and local news media brought this
most important school effort into the homes of millions of TV viewers
across the nation. At the end of the school year the tabs were sent
for recycling.
I learned about
this soda tab collection, just after completing a memorial to
honor holocaust hero Raoul Wallenberg, commissioned by the
Simon Wiesenthal Museum of Tolerance in Los Angeles. I felt
that the tabs, the dynamic experience of the students who had
collected them, and the noble efforts of thousands of tab
contributors, had taken on the significance of needing to be
preserved through an artistic work. Robert Silverman, then
Executive Director of the Champaign - Urbana Jewish
Federation, asked the recycler to hold up the recycling of the
nearly 5 tons of tabs. In response to my interest in using the
soda can tabs as the source material for a massive memorial
sculpture, Kevin Daugherty, Rob Silverman and the CEO of the
recycling plant, Lou Mervis, made available to me these
numerical representations of tragically lost lives. After five
months of being challenged by the tabs I invented a soda tab
feather made from tabs, aluminum wire, and a two foot aluminum
rod, that students could build with me in workshops.

Since 1997,
approximately 45,000 participants from 23 states and Canada have
constructed soda-tab feathers for WINGS of WITNESS. The project
creates a network of many thousands of students linked together
through art and hope, constantly enlarging. Workshops with students are continuing until the all of the
millions of collected tabs have been formed into the sculpture's
components.
After the first
million tabs were converted into feather structures in
workshops, I created a site specific method of assembling the
feather structures into wings. This process also involves
students and communities. The feather structures are laid out
in overlapping rows by volunteers, according to a placement
guide drawn on plastic sheeting, formed as a massive
butterfly. The Butterfly shape is a reference to a poem written by young Pavel
Friedmann who was a prisoner at the Terezin concentration
camp in Czechoslovakia, and perished at Auschwitz.
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Photo: Janet Propst
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Photo: Janet Propst
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Photo: Courtesy William Breman Jewish Heritage Museum
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"Wings Of Witness" at the William Bremen Jewish
Heritage Museum, Atlanta, 4/99
Each time the WINGS of WITNESS assemblage sculpture
is exhibited, newly made feathers are added, enlarging the single
butterfly. The sculpture-in-progress is a touring exhibition traveling
to museums and cultural centers across the country. It is accompanied by
a sign-in book of pages containing the signatures, collected under their
school's name, of the many thousands of participants. WINGS of WITNESS
will have been created by more than fifty-thousand participants, when
completed.
WINGS of WITNESS was first assembled as a
work-in-progress in 1998 at the MSJH school by the students and
community that collected the tabs. It was subsequently exhibited
September 1998- February 1999 at Yeshiva University Museum, Manhattan.
The following presentation was April-May 1999 at the William Breman
Jewish Heritage Museum, Atlanta, where nearly one thousand students
constructed feathers during the week of Yom HaShoah, Holocaust
Remembrance Day. Containing over one and a half million tabs, the
butterfly spanned nearly forty feet across the gallery. This tragic
number represents the number of children murdered during the Holocaust.
In the summer of 2000, the massive butterfly was
spread on the side of a mountain slope in Simi Valley, California at The
Brandeis Bardin Institute, by the counselors-in-training, campers and
institute staff.
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Photo: Yoni Boujo, taken from a helicopter
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From September through November 2000 WINGS spanned
the changing exhibitions gallery at Holocaust Museum Houston. In June
2001 WINGS of WITNESS was spread in a meadow at historic Ida Lee Park,
Loudoun County Virginia, then in 2003 went on to grace a meadow on Long
Island Sound at The Nassau County Holocaust Memorial and Educational
Center, Glen Cove, NY. In 2005 the wingspan of the massive butterfly
traversed the sculpture garden of the Katonah Museum of Art, Westchester
County NY. Similar to other installation sites, WINGS of WITNESS was
accompanied by a gallery exhibition with a project photo chronology, and
a selection of Schrier’s related works of art.
Prior to its exhibition at each of these sites, Schrier conducted
workshops where several thousand additional area participants made
feather structures that have been added to WINGS of WITNESS.
Please see Photo
Metamorphosis for dramatic visuals of youth and adult participants
and the development of WINGS of WITNESS.