SYNAGOGA
LEPIDOPTERA
In the second
series of works that grew out of WINGS OF WITNESS, butterfly forms are again
used as a reference to the Holocaust. These large scale assemblage works often
contain damaged wings and include a female form taken from medieval/Gothic
cathedral facade statuary; ‘Synagoga’ (‘a graceful forlorn figure
with falling crown, blindfolded, downcast, staff broken, carrying a shattered or
down turned law (tablets), allegorical representations of Judaism’).
“Synagoga’ figures are also found in stained glass, manuscripts and frescoes
and served as a political device complicit in the development of centuries of
anti-Semitism. By fusing the Synagoga forms with butterfly shapes, Schrier
calls attention to this politically motivated art form, while visually elevating
the victimized “Synagoga” forms with wings.
In these new
works Schrier continues his interest of transformation of ordinary material
into significant, as in Wings Of Witness.
Unusual materials employed include nails, glitter felt, fake fur, ripped burlap,
weed barrier cloth, slip cover plastic, rug padding, shattered styrene and glass,
formica.
Chrystalsynagogua,
6’ X 8’, 2004.
Shattered styrene, acrylic and glass on speckled formica laminate,
fragments from burnt prayer books from Eastern Europe inset with reproduction on
vinyl and acrylic of Synagoga stone sculpture from Trier, Liebfrauenkirche (west
portal), c.1250.
Hidden
and Scattered,
6’ X 9’, 2004
Rug padding fused with handmade paper of broken leaves and page fragments of
burnt prayer and Torah books from Eastern Europe; electric light under acetate
reproduction of Synagoga stone sculpture from Strasbourg Cathedral, c 1230
‘The
very last’,
6’ X 9’, 2004.
Ripped burlap on glitter felt with fake fur, pipe insulation, weed barrier
cloth, unraveled rope, knotted fringe tied in traditional tallit
configuration. Double overlay of yellow slipcover vinyl with burnt edges.
To go to the other sections, click
on one of the following